Posts for 'Broadcasters'

A new report being released today from London-based video ad technology provider Videoplaza, and research firm IHS Screen Digest adds to the case that broadcasters must diversify into IP-based delivery of their content to multiple devices in order to achieve continued growth. The report, "A Future for TV: IP-delivered Video Advertising in a Connected World" presents new data on adoption of connected devices by TV and PC households in North America and Western Europe, share of ads now being delivered by non-PC devices and video ad loads by device, among other data.

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Since I read Dish Network's press release last month announcing its new Auto Hop feature, I've been scratching my head, wondering (like many others), what Dish's cryptic CEO Charlie Ergen was really thinking about with the move. Auto Hop is such a blatant poke in the eye to broadcasters' ad-based business model that Ergen surely knew it would evoke a legal and business response - as it has.

Therefore, I was hoping an article in last Friday's WSJ, based on the first interviews with Ergen about Auto Hop, would clarify his motivations. While some have called Auto Hop a negotiation tactic with broadcasters over retransmission consent fees (which, in part it is), rather, I think Ergen's larger message with Auto Hop is that the traditional TV ad model is irreparably broken and it's urgent the industry figure out what's next. Not doing so risks the ultimate unraveling of the great American broadcast TV industry.

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I'm pleased to be joined once again by Colin Dixon, senior partner at The Diffusion Group, for the 134th edition of the VideoNuze Report podcast, for May 25, 2012. This week's topic: Comcast's new "X1" TV platform and experience. Yesterday I posted a video interview I did with Comcast's SVP, Digital and Emerging, Matt Strauss discussing details of X1, and today Colin and I get into the details of what it means for Comcast and for the larger TV industry and future landscape.

Two other quick notes related to prior podcast topics. On last week's podcast we discussed Dish Network's "Auto Hop" ad-skipper and the likely legal backlash from broadcast networks. Sure enough yesterday CBS, Fox and NBCU filed their lawsuits. And back in Feb. we discussed Aereo's disruptive potential. This week the company won a minor battle in its legal wrangling with broadcasters, while looking ahead to a big day in federal court next Wed.

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I'm pleased to be joined once again by Colin Dixon, senior partner at The Diffusion Group, for the 133rd edition of the VideoNuze Report podcast, for May 18, 2012. This week's topic: Dish Network's new "Auto Hop" feature, which automatically skips ads in DVR-recorded broadcast TV.

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Here's a measure of just how all-important big-time sports have become in driving the entire TV ecosystem: in NBCU's latest court filing against Aereo (embedded here), it cites as one of the harmful consequences of Aereo's potential success that NBCU would be unable to fund its programming. But what single example of expensive programming does NBCU call out? Not its news or entertainment - staples of the traditional broadcast network program agenda - but rather its 9-year, $10 billion Sunday Night NFL rights deal.

Sports are considered so critical to broadcasters because they're primarily viewed live and therefore immune to DVR-based ad-skipping (see yesterday's DISH Network "Auto-Hop" news for more on why DVRs are so threatening). As a result, the networks have aggressively bid for sports rights, led of course by the pursuit of NFL and Olympics deals. But those deals have been partly funded by burgeoning retransmission consent fee payments negotiated from pay-TV operators. These payments give broadcasters another revenue stream beyond just advertising (and just like cable networks, as pay-TV operators pay more in retrans fees, rate increases are passed along to ALL their subscribers, whether sports fans or not).

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I'm pleased to be joined once again by Colin Dixon, senior partner at The Diffusion Group, for the 131st edition of the VideoNuze Report podcast, for May 4, 2012. This week Colin and I discuss how fundamental battle lines have been drawn between the traditional TV ecosystem vs. the numerous digital outlets that are launching online-only original programs. To be more specific, the former group seems intent on erecting ever-higher paywalls to access its programs, which is in turn opening up a gigantic opportunity for free, ad-supported programs to be provided by the latter group. How this battle unfolds will have far-reaching and profound implications for everyone involved.

For the traditional TV ecosystem, there appear to be two core drivers at work; first, the desire by broadcast TV networks to morph themselves into cable TV networks, and second, the role that TV Everywhere is taking on as a foundation of paywall economics.

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At the NABShow last week, I interviewed RAMP's CEO Tom Wilde about why closed captioning is coming to online video as a result of the Twenty-First Century Communications and Video Accessibility Act from 2010. The Act specifies that any video broadcast on-air after April 30th must have closed captioning by September 30th if it's placed on the web.

Tom explains that given broadcasters' existing analog and digital work flows, creating closed captions for the web creates huge challenges, which RAMP's Media Cloud addresses. The good news is that research shows that closed captions give viewers more control and therefore are also more engaged, driving a higher ROI.

See video below (5 minutes, 19 seconds)

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Video ad technology provider FreeWheel added another big content provider to its customer roster yesterday, announcing that it will be powering video ads for a group of NBCU's broadcast and cable networks' properties.

In particular, the deal also covers NBCOlympics.com, the network's destination for the London games this summer. FreeWheel noted that as a result advertisers will be able to make specific digital ad buys and combined broadcast/digital packages, which NBC will be able to deliver. This opens up potential targeting at a more granular level than has been available with traditional TV.

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Brightcove is powering NBCU's recently-launched Emmy screener app for the iPad dubbed "NBCU Screen It" with its App Cloud and Video Cloud platforms. The app allows 15,000 members of the Television Academy who vote on the Emmy awards to gain authenticated access to view NBC's programs.

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I'm pleased to be joined once again by Colin Dixon, senior partner at The Diffusion Group, for the 123rd edition of the VideoNuze Report podcast, for Mar. 2, 2012. This week's podcast has a different format; instead of discussing one topic in depth, we touch on three areas - the new lawsuit against Aereo, Netflix's deal with Starz ending (and whether the "flix" is coming out of Netflix) and UltraViolet's strategy of using discs to drive adoption.

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I'm pleased to be joined once again by Colin Dixon, senior partner at The Diffusion Group, for the 121st edition of the VideoNuze Report podcast, for Feb. 17, 2012. In this week's podcast we puzzle through Aereo - a new broadcast TV over IP / DVR-in-the-cloud provider, which this week announced a $20.5 million financing led by IAC's Barry Diller, plus a March 14th launch date in New York City.

I happened to be in NYC this week, and aside from "Linsanity," Aereo seemed to be the hottest topic around. But talk about a lack of consensus on its prospects! Some believe Aereo is going to be a major disruptor to the existing broadcast and pay-TV ecosystem, while others see it as a total non-starter, whether because broadcasters will succeed in shutting it down or because consumers won't be compelled by its proposition.

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Technology provider RAMP is announcing this morning that ABCNews.com and CNBC.com are now using its web closed captioning solution, and that it has made a number of enhancements in order to better meet the needs of customers. For those not familiar with web closed captioning, the 21st Century Communications and Video Accessibility Act signed in Oct. 2010 mandates that by the end of 2012, all video originally aired on broadcast or cable TV networks, which is then delivered online, must include closed captions.

As RAMP's CEO Tom Wilde explained to me last week, the act has created huge new challenges for TV networks because when captioned on-air video is passed from the broadcast team to the digital team for online delivery, there's no adequate workflow to keep the caption file in synch with the video. The situation becomes even more complicated when a full-length video is sliced up into shorter online-only clips.

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