Posts for 'Advertising'

  • 5 News Items of Interest for the Week of Aug 23rd

    Following is the latest update to VideoNuze's new Friday feature, highlighting 5-6 of the most intriguing industry news items from the week that VideoNuze wasn't able to cover.

    Ads skipped by 86% of TV viewers, but TV ads still most memorable

    A new Deloitte survey unsurprisingly finds high rates of ad skipping among DVR users watching time-shifted programs, yet also notes that 52% of respondents say TV advertising is more memorable than any other type (only 2% cited online video advertising). Is there a love-hate relationship with good old TV advertising?

    Endemol USA Plans Kobe Bryant Web Series
    Online video continues attracting celebrities, with the latest being LA Laker star Kobe Bryant, who will be featured in 8 episodes teaching Filipino kids about hoops. The series is being produced and promoted by powerhouse Endemol. More evidence that independent online video is gaining.

    NFL Sunday Ticket To-Go, Without DirecTV
    DirecTV unbundles its popular NFL package, selling online access to non-subscribers for $350. It's not clear there will be many takers at this price point, but it does raise interesting possibilities about unbundled subscribers connecting to their TVs and also how sports will be impacted by online and mobile viewing.

    TiVo Launches Remote with Slide-Out Keyboard
    TiVo is enhancing navigation with a long-awaited keyboard that slides out of its standard-shaped remote control for $90. With TiVo's new Premiere box offering more video choices than ever, quicker navigation is required. As other connected devices hit the market, it will be interesting to see what clever solutions they come up with too.

    MTVN's Greg Clayman Heads to News Corp to Lead iPad Newspaper
    Amid the ongoing shuffle of digital media executives, MTV Networks lost a key leader in Greg Clayman, who's moving to News Corp to head up their new iPad newspaper. Greg's been on VideoSchmooze panels and we've done webinars together; he always brings great insights as well as a terrific sense of humor.
     
  • Webinar Highlights - Indie Online Video, Syndication and Brand Integration

    On Tuesday, VideoNuze and The Diffusion Group hosted their fourth webinar in a 2010 series of six sponsored by ActiveVideo Networks, with this one focusing on "Demystifying Independent Online Video and Syndication Models."

    The webinar featured informative and timely discussion/Q&A with Richard Bloom, SVP, Business Development for 5min, and Jim Louderback, CEO of Revision3.  The focus of the discussion was on business models for success in independent online video with a specific lean towards syndication. Both Jim and Rich honed in on how syndication helps solve the difficulties with finding eyeballs and building audience in the fragmented broadband video landscape.

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  • 5 News Items of Interest for the Week of Aug 16th

    I've received positive feedback on the Friday feature I introduced 2 weeks ago, highlighting 5-6 of the most intriguing online and mobile video industry news items that I noticed during the week. As a result, I'm continuing on today and look forward to your further reactions.

    As a reminder, each day in the right column of both the VideoNuze web site and email you'll find the "Exclusive News Roundup" which includes the most relevant online and mobile video industry articles that I've curated from numerous sources around the web. Typically there are 35-40 links rounded up each week, which means VideoNuze now has thousands of links available, all fully searchable. This is an invaluable resource when doing research and I encourage you to take a look next time you're hunting for a specific piece of online/mobile video information.

    Now on to this week's most intriguing news:

    Hulu is Said to Be Ready for an I.P.O.
    The big news leading off the week was that Hulu is testing the waters for a public offering valuing the company at $2 billion. Investors beware: while ad sales are up, exclusive deals with key TV networks are short-term, subscription service Hulu Plus is still unproven and competition from Netflix and others is intensifying. If the deal works, it will be a huge milestone for the company.

    Rumored $99 iTV Could Pave Way for $2,000 Apple-Connected Television
    A Wall Street analyst conjectures that Apple is well-positioned to offer a high-end, connected TV. Apple has been on the sidelines as online video makes its way to the TV, surely this won't remain the case forever.

    Netflix Lust for "True Blood" Is Unrequited As HBO Blocks Path
    Though Netflix just landed Epix, it is unlikely to get a deal with HBO any time soon, as the big premium network is committed to its current distribution partners, and to its own online extension, HBO Go. Netflix will still find plenty of other willing partners given its strong motivation to acquire streaming content rights.

    In Battle of Smartphones, Google Has the Right Answer
    With Google's Android phones proliferating, the iPhone's market share is slipping. And with Android tablets coming, the iPad will soon be in the crosshairs from competitors. For mobile video this means more choices and flexibility.

    Net Profits for BermanBraun
    Big ad agency Starcom MediaVest commits up to a $100 million to upstart Hollywood producer for deeper brand integrations. More evidence that ad spending is moving online and in more creative ways.
     
  • For Mobile Video, Primetime Continues to be Most of the Time

    Rhythm New Media's Q2 '10 mobile video advertising report, which is being released this morning, continues to show how mobile video consumption is spread throughout the day. Unlike online video or traditional TV, where there's a large difference in viewership between the 8pm-11pm primetime daypart vs. other dayparts, the Rhythm data (see below) shows a more even distribution. Rhythms data is based on about 1 billion content views and 75 ad campaigns run during the quarter. Adam Wright reported similar findings in Rhythm's Q1 '10 report.


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  • Stallone's YouTube Video Ad for "The Expendables" Breaks the Mold

    If you haven't seen Sylvester Stallone's new video ad now running on YouTube's home page for his upcoming movie The Expendables, take time to check it out it as it completely breaks the mold. It begins as a large banner on YouTube.com (see below). When you click, a standard-looking sit-down video interview between Stallone and TV personality Shira Lazar starts rolling. Pretty quickly the effects begin and you realize this is anything but a standard interview. I won't spoil the fun for you.



    The Expendables ad is yet another example of how dramatically online video advertising is opening up the creative palette, allowing brands to do totally unconventional things that get shared and noticed. Another recent example was the Old Spice man ad, which itself became an online video/social media phenomenon. No doubt others will follow. For brands accustomed to operating within the narrow confines of 30-second TV ads, the world is changing fast, and for the better.

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  • BrightRoll Launches BRX Online Video Advertising Exchange

    Online video ad network BrightRoll is launching the BrightRoll Exchange ("BRX") this morning, a self-service online video ad exchange intended to catalyze large-scale, efficient pre-roll video ad buying. BrightRoll CEO Tod Sacerdoti told me yesterday that BRX has been in the works for over a year and began a quiet beta test in April, initially with BrightRoll itself as the primary buyer, and in June with the first 3rd party buyers added. Tod said BRX now has hundreds of publishers participating and thousands of targetable URLs.

    Exchanges have long been important parts of the display ad buying ecosystem and Tod sees online video advertising following the same cycle. Over the past several years more and more brands and agencies have begun buying online video ads, learning about the new medium and its ROIs. Some bigger buyers are already looking to buy at scale, and others will surely follow. However, BrightRoll research suggests that key obstacles remain, with half of publishers it surveyed unable to sell 20% of their online video ad inventory. BrightRoll believes this is primarily due to buying inefficiencies.

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  • Ooyala Supporting Monetization of HTML5 Video

    Online video platform Ooyala is announcing this morning that its HTML5 video player is now supporting dynamic ad insertion for IAB-standard ads. This means that content providers using Ooyala's Backlot platform will be able to monetize video consumed by iPads and iPhones.

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  • FreeWheel Lands Univision and Scales Up for Live Events

    FreeWheel, the video ad management and monetization provider, is announcing this morning that it has landed Spanish-language broadcaster Univision as its latest customer. In the past year, Univision has become one of the most active broadcasters involved with online video, signing a deal to move a large amount of its content to YouTube for distribution, offering full episodes of its telenovelas at a recently-created web site, "Novela y Series," launching a video app for BlackBerry users, and of course most recently, streaming 10 million+ hours of live World Cup games on UnivisionFutbol.com

    For FreeWheel, Univision follows Turner, Warner Bros., VEVO, Discovery, CBS and others on FreeWheel's customer roster. Note that Univision had not yet deployed FreeWheel for its UnivisionFutbol.com site but that FreeWheel was inserting ads in ESPN3.com's World Cup online streaming which generated 7.4 million unique viewers and 15.7 million hours viewed. I talked to co-CEO and co-founder Doug Knopper earlier this week, who shared some recent statistics from the World Cup action and discussed how FreeWheel is scaling up to better serve ads in live, as well as on-demand, online video.

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  • VideoNuze Report Podcast #69 - July 23, 2010

    Daisy Whitney and I are pleased to present the 69th edition of the VideoNuze Report podcast, for July 23, 2010.

    In this podcast I lead off by discussing some further details of Qlipso integrating with Veoh. Daisy weighs in on whether linking virtual economies to online video through social viewing experiences makes sense. I continue to think of Qlipso-Veoh as a fresh approach worth watching.

    On an unrelated topic, Daisy then discusses the Old Spice man ad campaign which has taken the online world by storm over the past few weeks, generating 40 million views, 40,000 comments and 100,000 tweets. Daisy is among those impressed with how well Old Spice harnessed social media, but notes that the campaign has been active for months, dating back to the last Super Bowl. Daisy has some additional insight based on an article she's preparing for AdAge next week for which she interviewed the campaign's creative masterminds at the Wieden+Kennedy ad agency. Daisy's conclusion: social media campaigns succeed after lots of preparation and often with the tailwind that traditional media creates. Listen in to learn more.

    Click here to listen to the podcast (16 minutes, 12 seconds)


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  • VINDICO Gets MRC Accredited

    VINDICO, the recently created video ad server division of BBE, is announcing this morning that it has been accredited by the Media Ratings Council (MRC). For those not familiar, the MRC is an independent industry association that works to ensure audience measurement is valid, reliable and effective. VINDICO believes it is the first demand-side video ad server to be accredited by MRC (there may others, I'm not sure; I know that FreeWheel was accredited about 6 months ago).

    Matt Timothy, VINDICO's president, told me yesterday that the accreditation is a big step forward for both the company, and the online video ad industry. Matt explained that with online video advertising still relatively early-stage, there's been a "Wild West" dynamic with different ad servers and measurement approaches. That friction constrains advertiser spending in the new medium. MRC gives VINDICO new credibility with the agencies and advertisers it serves that the audience data it shares is up to MRC's stringent standards.

    With the rise of online video advertising, Matt also sees 2 trends developing: the shift from estimated ad measurement (common in TV advertising) to actual ad measurement and agencies/advertisers taking control of the actual ad delivery process (which in TV advertising is handled by the TV networks and stations). VINDICO is betting on both of these trends; it targets agencies and advertisers with its ad-server technology. Matt pointed to recent wins with VivaKi and Universal McCann as evidence that its approach is working.

    What do you think? Post a comment now (no sign-in required).
     
  • YouTube Aims for Big Screen and Small Screen Success

    Not content to dominate online video viewing, yesterday YouTube unveiled new initiatives for viewing on both TVs and mobile devices. Taken together they demonstrate how aggressive YouTube plans to be in the 3-screen viewership era.  

    First up, YouTube introduced the beta version of "Leanback," the new 10-foot experience that it introduced at the recent I/O conference. With Leanback, you only need to use the 4 arrow keys and Enter key on your keyboard to navigate the YouTube experience. Video plays in full-screen mode and in automatically in HD when available.

    There are different options for what content Leanback delivers: if you have set up subscriptions, it will give you a feed of those videos; in addition, if you've connected your YouTube account to your Facebook account you'll also get a feed of videos your friends are watching/sharing; alternatively, if you've done neither YouTube will simply give you the most popular comedy, entertainment, news, etc. You can also easily search and browse.

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  • Hulu Plus Should Drop the In-Stream Ads Immediately

    I activated my 7-day Hulu Plus trial last evening and spent some time with the new subscription service on my Mac. The overall navigation and video quality was excellent, consistent with the high standards Hulu has set from the beginning on Hulu.com. I particularly liked how Hulu has chosen to display the many episodes of past seasons. They are listed by title in reverse chronological order, with run-time, original airdate, length, and the ability to add to your queue well-displayed. For shows with multiple past seasons Hulu Plus lets you drop-down to see particular seasons as well.

    Net, net, though I haven't spent a ton of time with it, my first impressions are generally positive, except for one major, major thing: Hulu Plus programs carry the same full in-stream ad load as programs on Hulu.com. In my "7 Quick Reactions" post earlier this week, I called this out as both a big surprise, and also a key detraction from the service. Now that I've experienced the ads, I can say even more emphatically that Hulu Plus must relinquish the ads.

    The biggest problem with the ads is that they are discordant with consumer expectations for a paid subscription service. The right comparables for Hulu Plus should be premium cable channels like HBO, Showtime and Epix, and a DVD/streaming service like Netflix. In the former, you'll routinely see cross-promotions for other programs, but you'll never see a commercial break. In the latter, aside from previews, you never see any ads at all.

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  • Revision3 is Achieving Unaided Advertising Recall of Up to 99%

    When Revision3, the independent network of online video programs, has surveyed its viewers, it has discovered that 99% of them are able to identify at least 1 of its advertisers. That incredibly high level of unaided recall is due to having its program hosts integrate advertiser messages in the middle of its programs, according to Revision3 CEO Jim Louderback, who I interviewed last week. Jim will be a featured speaker at NATPE's upcoming LATV Fest (VideoNuze readers get $200 off registrations). Following is an excerpted transcript.

    VideoNuze: Revision3 is producing a lot of shows now. Tell us how you decide what new shows to launch?

    Jim Louderback: It's a combination of things. We start by asking our viewers what kinds of shows they'd like to see. We scour the Internet - places like YouTube, Vimeo, blip, etc. - to find things that fit with our brands and our 18-34 male target audience. And we apply filters of what we think will work. For example, people told us they wanted a show about movies and so we were able to find a couple of guys in Florida who were making a cool show. We talked to them and refined the program - Film RIot, a little and it's been a big success. Our goal is to combine community with a topic our audience is fascinated by and hosts who are authentic and passionate.

    VN: What are Revision3's top 2-3 successes?

    JL: Our biggest shows are Techzilla - which is 2 geeks who are passionate about technology; Diggnation - 2 guys talking about social news; and Scam School - built around the concept of using magic to scam drinks off your friends. AppJudgement is doing well as is the Digg Reel, among others. They all come from different places but they've all developed audience and community.

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  • Here's What Fox, NBC and Hulu are Doing with Increased Online Ad Loads

    Get ready to see more ads in TV programs viewed online. Following my exclusive 2 weeks ago about ABC doubling the number of ads in its iPad app, and soon on ABC.com, the same increased ad load is happening with Fox's and NBC's online programs, and in my opinion, likely with Hulu as well. Here's what I've learned:

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  • BrightRoll Breaks New Ground with Reporting Suite

    Last Thursday's BrightRoll announcement of a suite of 3rd party verified reporting tools, including comScore, Nielsen, Insight Express, and Vizu, breaks new ground is addressing the online video advertising efficacy problem. The suite aims to help marketers understand the actual results of online video campaigns with an eye to driving increased spending in the medium. On Friday, I had a chance to chat with BrightRoll's CEO, Tod Sacerdoti, who explained the reasons for this value-add reporting service.

    Tod said that the idea for enhanced reporting came from three problems. The first is that an extraordinarily high number of media buyers - somewhere in the realm of 85% according to BrightRoll's research - did not understand the effectiveness of their online video buys. The second problem was that buyers don't fully use ad networks' in-house analytics and don't fully trust them anyway. Further, as ad spend has poured into online video, so have many low quality networks, who can rely on unsavory tactics to get views and thus lower overall CPMs. Thirdly, internal analytics don't get at the big picture, including for example, how a placement on BrightRoll performs versus a competitor.

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  • Look Who's Advertising on YouTube's Homepage Now: VISA/Toy Story 3 and Xbox's Kinect

    Want a sense of just how far YouTube has evolved from its scruffy user-generated roots to a premier site for big brand launches? Then head over to YouTube.com now and you'll see huge rotating rich media campaigns running for VISA, with a tie-in for the new Disney/Pixar film Toy Story 3 (opening tomorrow) and for Xbox's new Kinect motion-sensing feature (the "Wii-killer" unveiled earlier this week at E3).

    From a brand launch perspective, these are about as big as they get, with huge money and franchises at stake for all of the companies involved, not to mention the positive or negative career impact for the marketers driving the media strategies at these companies. The fact that both are advertising prominently on YouTube says volumes about the site's importance in the online advertising world and its evolution from its UGC start.

    It wasn't that long ago when YouTube was derided an un-monetizable jumble of amateurish clips. It's also worth noting that, as best I can tell, neither the Kinect nor VISA/Toy Story 3 campaigns are running on Yahoo, AOL or MSN right now, the traditional online homes for big brand launches. Now imagine when YouTube is available on TVs via Google TV and you get a sense of just how important YouTube is going to be, and how strategic it has become for Google which is trying to expand beyond search ads.





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  • Exclusive: ABC Has Doubled the Number of Ads in Its iPad App; ABC.com Will Be Next

    Yesterday ABC began implementing a new ad policy for its popular iPad app, which up to doubles the number of ads included per episode. ABC intends to apply the new ad policy to programs viewed on ABC.com soon as well. Albert Cheng, EVP, Digital Media for Disney/ABC Television briefed me on the changes last week, adding that he believes the new ad policy will become common in the industry. ABC also shared with me that its iPad app has been downloaded over 800,000 times, with 4.2 million episodes started since the iPad's launch on April 3rd.

    The changes are very significant as they signal a new push by broadcast networks to improve the profitability of their free online and mobile streams. For example, a typical ABC.com program has included 5-6 ads that are 30-seconds, totaling up to 2 1/2-3 minutes of ad time. This compares with around 20 minutes of ads shown in an hour-long program broadcast on-air.

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  • Digitas' NewFront: Convergence Underway, Challenges Remain

    Following this year's successful TV advertising upfront, yesterday Digitas' branded entertainment arm, The Third Act, presented its third annual and playfully titled, Digital Content NewFront. The similarities are in name only though, as the NewFront is a conference and social gathering, bringing together and showcasing top tier online content creators, distributors, and forward-thinking brands.

    Before you start thinking NewFront is a bunch of web wannabes looking for their big break, the guest list was actually packed with tons of traditional media talent who have also been pursuing online content, such as Kevin Pollack, Jason Bateman, Lisa Kudrow, Teri Hatcher, and even Martha Stewart. Their involvement underscores how traditional and new media convergence is already well underway, propelled by branded entertainment.

    The enthusiasm at the NewFront was abundant, with Mark Beeching, Digitas' Worldwide Chief Creative Officer, trumpeting in his opening remarks, "Online video is no longer a three minute trivial sideshow!" Still, illustrating the mixed motivations of many online content creators, Ricky Van Veen, of CollegeHumor and IAC's branded content wing, Electus, noted that most creators still view online video as a stepping-stone to TV or film. 
     
  • MeFeedia Unveils HTML5 Analytics for All Player

    Search engine MeFeedia is announcing this morning a new real-time analytics suite for HTML5 video viewed using the company's All Player.

    Content providers using All Player will be able to track a variety of data for video consumed across all devices supporting HTML5 - iPads, iPhones, Android phones and the web. They can view data by summary, recent, popular, devices, videos and channels to monitor an individual or group of videos' performance. Data can also be exported for offline analysis and viewing.  The type of data tracked includes view-through rates, time watched, impressions and the viewing device.

    As with the All Player itself, the analytics package is free.



    The analytics release follows MeFeedia announcing support for HTML5 advertising just before the iPad's recent launch. MeFeedia CEO Frank Sinton explained to me yesterday that though it's still early for HTML5, the company is committed to building out further HTML5 features for the All Player.

    For those not familiar with All Player, which MeFeedia launched last June, it's targeted primarily to small and mid-sized content providers who want to improve their ad monetization. All Player's value prop is that it has integrated with key video ad networks, so that once an All Player content provider is approved, it can add or improve monetization immediately. Content providers can use All Player stand alone or in conjunction with their OVP.

    All Player has moved MeFeedia from being solely a video search engine to also being a monetization partner. Frank explained that numerous providers now partner with MeFeedia, in some cases simply syndicating a feed of their content, which MeFeedia offers and monetizes through All Player, in turn sending a revenue share back to the content provider. Frank says MeFeedia is fully ad supported and is now profitable. As HTML5 emerges, adding  complexity in the short-term to content providers' work flow, tools like All Player look even more important.

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  • Mobile Video Ad Network Transpera Raises $9 Million

    Mobile video ad network Transpera is announcing this morning that it has raised a Series C round of $9 million, led by BlackBerry Partners Fund, with participation from existing investors Flybridge Capital Partners, First Round Capital, Intel Capital and Labrador Ventures. Transpera CEO Frank Barbieri told me yesterday that total company funding to date is $18 million.

    In addition to the financing, the company is also now promoting its network as "The Audience Network," reflecting what Frank said are significantly higher engagement metrics Transpera campaigns are achieving vs. comparable online video ones. Transpera has worked with brand research firm Insight Express to study performance of 5 recent video ad campaigns that ran on Transpera's network. Compared to norms that Insight Express keeps for similar online video campaigns, for the Transpera campaigns it found 9 times higher increase in purchase intent, 19 times higher increase in aided awareness, 4 times higher increase in unaided awareness and 2 times higher increase in ad awareness.

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